updated April 2010
• Unique exceptional creativity • Inventive problem-solving skills • Broad electroacoustical expertise Extensive professional experience covering sound recording, acoustical design and interface, and sound delivery and presentation technologies. Expertise in audio transducer design, system design, applications, technical writing, education and training, and product integration. University
instructor specializing in physics of music, loudspeaker and
performance delivery technologies, noise control, sound system design,
transducers, sound recording and reproduction and other
electroacoustical disciplines. PROFESSIONAL EXPERIENCE: 1/95- 10/92- CONSULTANT, North Hills, California OWNER-CONSULTING ENGINEER Design loudspeaker systems, sound reinforcement systems, loudspeaker and microphone transducers, studio monitoring systems and lab testing and measurement setups for various clients. Write manuals, brochures and ad copy for technical clients. Design, engineer
and
hire contractor-installers of sound systems for theaters, schools,
clubs, churches and other small-medium size venues as well as portable
systems
of any size. 6/96 ASH GROVE CABARET, Santa Monica, California, TECHNICAL DIRECTOR Designed interior architectural acoustics and complete audio system. Two CD's and one video project were done at the Ash Grove (Van Dyke Parks--Warner Bros, Lee Ritenour, Michael Ruff). Le Mobile, while
recording Van Dyke Parks, said "the room had the best live recording acoustics they had
ever heard." 10/92-4/93: AURA SYSTEMS, INC., El Segundo, California, LOUDSPEAKER DESIGN CONSULTANT Filed four patents on improved loudspeaker magnetic technologies and devices to extend excursion and protect drivers. < Designed family of high efficiency rare-earth magnet loudspeaker motors, designed die-cast baskets and moving assemblies for 8, 10 12, 15, and 18-inch drivers using spreadsheet estimating, magnetic FEA, stress FEA and CAD modeling. Designed special
shaker loudspeaker motors used in product such as the "Interactor"
chest-worn subwoofer for video games, and seat-mounted subwoofer
shakers used
in theaters. 1989-1992: WALT DISNEY IMAGINEERING, Glendale, California, PRINCIPAL ELECTROACOUSTIC ENGINEER Filed five patents on diverse electroacoustic, DSP-based and optical inventions to solve specific problems with sound delivery <in Disney attractions and developments lingering since Disneyland opening in 1955. Produced new applications including extreme narrow-coverage, long-throw loudspeakers and ultralight large subwoofers. Increased low-frequency output power of Star Tours in-cabin sound system 1000-fold with no electrical changes. Engineered sound systems for several Disney attractions including Paris EuroDisney first and second gate parks. Promoted from Senior Technical Staff, Research & Development (1991), after solving many long-standing sound problems. Invented and developed sound delivery method to produce stable 3-D auditory effects for listeners over an entire audience area. Developed recording, mixing and reproduction techniques to allow stable transitions of 3-D sound images from audience coverage areas to personal listening devices (invented subject of one 1991 patent) supporting binaural effects. Member,
electroacoustical advisor, Disney Studios New Technology Audio
Sub-Committee, advisory group to WDC. 1984-1989: JBL PROFESSIONAL, Northridge, California, APPLICATIONS ENGINEER Consulted on sound system designs for the major television networks, the Hollywood Bowl, Universal Amphitheater, Lincoln Center, The Rose Bowl, UCLA's Pauley Pavilion, Disneyland, Disney World, Lockheed Aircraft, Hughes Helicopter, McDonnell Douglas, Bremmerton Naval Shipyard, USTA National Tennis Center in Flushing NY, the New York Metropolitan Opera, the New York Metropolitan Museum of Film and dozens of other major auditoria, music, church and civic facilities. Designed on demand, purpose-built loudspeaker systems for end users, sound contractors and JBL dealers. Administrator and
tech support of CADPI Central Array Design software and Alpha and Beta
tester for CADPII software. 1994- present UCLA, Los Angeles, California, INSTRUCTOR and former COORDINATOR, RECORDING ENGINEERING CERTIFICATE PROGRAM Courses in Music and Audio Technologies:
UNIVERSITY OF SOUTHERN CALIFORNIA, Los Angeles, California, STAFF INSTRUCTOR Developed and
presented course in Loudspeakers and Critical Listening, for Recording
Program students. 1983-1984: CBS FENDER MUSICAL INSTRUMENTS, Fullerton, California, PRO-AUDIO TRAINING MANAGER. Wrote technical manuals for professional audio products. Developed and presented professional audio technical training for Fender dealers and their salespeople. Produced and
presented three-day technical training seminar including slide and
overhead
presentation and live musical entertainment clinic resulting directly
in 100-fold return of costs in orders from seminar participants.
1980-1983: TASCAM DIVISION OF TEAC CORPORATION, Montebello, California, APPLICATIONS ENGINEER. Provided written and telephone consumer technical support covering assembling and operating recording and post-production audio and audio-for-video recording studios. Trained dealers and salespeople in recording electronics and sound recording and related technical processes. Wrote technical manuals for pro-audio products, processes and applications. Company
spokesperson
to pro audio press. 1976-1980: JBL SOUND INC., Northridge, California, SENIOR LAB RESEARCHER. Performed all laser holographic interferometry data acquisition and photographic imaging for Transducer Laboratory. Performed acoustical component modeling and pattern making. Performed laboratory electroacoustical testing and calibration. Trained laboratory technicians in electroacoustical testing and instrumentation. Prototyped
loudspeaker component and system designs. 1974-1976: SOUND FACTORY RECORDING STUDIOS. Hollywood, California, CHIEF ENGINEER. Designed and supervised acoustical reverberation chambers. Rebuilt studio recording console from 4 to 24 busses in 11 days. Engineered for
various recording artists such as Donald Byrd, Donovan, Emmylou Harris,
Waylon Jennings, Linda Ronstadt, James Taylor, Nancy Wilson. PERSONAL EXPERIENCE: 1982 - 1989, served Los Angeles Section of Audio Engineering Society as Committeeman, Treasurer and Vice-Chairman. 1983 - Elected AES Chairman, Los Angeles section. 1991 - Elected AES Chairman, Los Angeles section. 1991 - Elected member of Hollywood Sapphire Group. Sponsored by Richard C. Heyser Wrote and presented several technical papers at international AES Conventions. Invited guest speaker at Los Angeles, San Francisco, Fresno, Albuquerque, Tucson, Dallas and Houston AES Section meetings. Visiting audio engineering lecturer, Aspen Recording Institute extension of Johns-Hopkins University Peabody Music School. Produced and presented three AES technical workshops for L.A. section. Installed sound systems at Universal Studios Tour, Busch Gardens, L.A., Dodger Stadium, Six Flags parks in Texas and Ohio, and Six Flags Magic Mountain in Valencia, California. Musical Director
(1972-1974), singer and string-bass player with The New Christy
Minstrels. Sang National Anthem at Oakland '74 World Series game. Sang
opening solo on NBC spectacular for Nixon's returning POW celebration
in 1973. PERSONAL ACHIEVEMENTS: Installed mobile 45-rpm record players in neighbor's cars at age 9. Recorded and
produced record singles and one L.P. at age 14, with home-built
equipment. PROFESSIONAL-LEVEL
SKILLS:
. Current
projects:
Design three new Groove Tubes SFX stereo MI amplifiers.* Design new Groove Tubes M-S matrix decoder for stereo mike recording. Research for new Groove Tubes microphone with novel self-designed symetrical magnetic circuit and field replaceable diaphragm assembly. * Based on back-licensed SFX technology created by Drew Daniels and licensed to Fender Musical Instruments, Inc. |
ABC Television, Los Angeles ¹
Arrowhead Stadium, Kansas City, KS ¹
Ash Grove
cabaret/restaurant, Santa Monica, CA ² Audio Engineering Society ³
Audio Engineering Society ³
Aura Systems, El Segundo, CA Bremmerton Naval Shipyard ¹
Caltech Faculty Center ¹ Caltech Student Union Film Service ²
CBS Television, Los Angeles ¹
Christ Lutheran Church, Valencia, CA ²
Coffee Gallery Backstage, Altadena, CA
² Del Rey Hills Evangelical Free Church,
Marina Del Rey, CA ² Disneyland, Anaheim, CA ¹ Dodger Stadium, Los Angeles, CA ²
Dorothy Chandler Pavilion of the Music
Center, Los Angeles ¹ EAW ³ Epcot Center, Orlando, FL ²
EuroDisneyland, Paris, France ²
Fender Musical Instruments ³
First AME Church of Los Angeles ²
Groove Tubes, San Fernando, CA ²
Hughes Helicopter ¹ JBL Professional, Northridge, CA ³
Lake Avenue Congregational, Pasadena, CA
¹ Lincoln Center ¹ Lockheed Aircraft, Flight Simulator Div.
¹ Lutheran Church of the Resurrection, Canoga
Park, CA ² McDonnell Douglas Helicopter Div. ¹
Mile-High Stadium, Denver, CO ¹
NBC Television, New York (electroacoustical
design) ¹ NBC Television, Burbank (Carson stage)
² New Ash Grove Cabaret on the Santa Monica
Pier ² New York Metropolitan Museum of Film ¹
New York Metropolitan Opera ¹
New York Museum of Broadcasting ¹
Pauley Pavilion, UCLA ¹ Powerhouse Multimedia Studios, Northridge,
CA ² Salvation Army Tabernacle, Pasadena, CA
² Santa Fe Billiards, Canyon Country, CA
² SWR Inc., San Fernando, CA ²
Tascam division of Teac Corp. ³
Tascam division of Teac Corp. ³
The Hollywood Bowl ¹ The Rose Bowl, Pasadena, CA ¹
The Studio, Inc., Video Post, Santa Monica,
CA ² Universal Amphitheater, Hollywood ²
Universal Studios Tour, Hollywood ²
Universal Studios Tour, Florida ¹
University of California at Los Angeles
³ University of California at Los Angeles
³ University of California at Los Angeles
³ University of Southern California ³
USTA National Tennis Center, Flushing NY
¹ Walt Disney Imagineering, R&D,
Glendale,
CA ² Walt Disney Studios, Burbank, CA ²
Numerous attraction sound systems and acoustics. |